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Santa Fe Prize for PhotographyThe Santa Fe Prize for Photography recognizes and rewards a gifted and
committed photographer who has completed, or is near completion of, a
meaningful body of work. This prize was initiated to bring new work to
light, and photographers internationally are eligible. The award process
is by nomination only; photographers may not apply independently. The
award includes $5,000 and participation in Review Santa Fe; the cash award
must be used to complete a body of work or to introduce a completed project
to a larger audience. The juror for the 2004 Santa Fe Prize was Roy Flukinger, Senior Curator of Photography and Film at the Harry Ransom Humanities Research Center at the University of Texas at Austin (juror's statement). Of the winning work, he writes, "Byron Wolfe avoids the pitfalls of creating a personal photographic diary because he is able to journey beyond the natural tendency to just make pieces of daily art. He understands the parameters of gain and loss that the human heart must undergo and seeks out the moments that circumscribe the goal of experiencing life to its fullest. In doing so he transcends the bare subject matter and finds the universal that we all strive to find in our daily observance of fulfilling the human equation called living." Artist Statement: Byron Wolfe My reasons for photographing every day may not be immediately self-evident. Most still photographers work to distill their visual world down into images that act as emblems –discrete representations in time that stand for a bigger, more universal experience. That's one of photography’is greatest qualities, of course, but it establishes a reductive method of description that works directly against the meandering pace, flow, complexity, and general ambiguity of life. For years I've worked within this model of making pictures to form a collection of decisive moments – isolated glimpses of discovery and epiphany – but always ended up with a document that emphasized only that which is extraordinary. Moreover, it usually failed to address the powerful human experience of the passage of time on a scale beyond photography's typical fraction-of-a-second. These daily pictures are intended to build up discrete moments in a way that makes the whole greater than the sum of its parts and to create an on-going narrative where the passage of time is a central theme. When the photographs from the year are considered as a whole, I believe that the meaning of each day is enriched because of its relationship to and dependence upon other days some monumental and some perfectly ordinary. There are other reasons why I decided to photograph daily (a decision that took several years to make); I felt an overwhelming need to practice my craft on a regular basis, not just when the pressures of life permitted. I sought a way to generate new ideas and consider forms of representation outside the conventions of my field. I wanted to reinvent myself every day. Byron Wolfe (www.byronwolfe.com)
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| Programs:
Choice Awards |
Project Competition |
Project Launch | Review
LA | Review
Santa Fe | Santa
Fe Prize | Teaching Award
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